As Travis Kelce and Taylor Swift begin a new chapter together in their shared home, their actions on social media and through publicists speak volumes.
Travis and Taylor are navigating their new relationship amidst the backdrop of their pasts.
Their recent interactions highlight how they’re moving on from their previous relationships and stepping into a new era together.
First, Travis cut his ties with his former flame, Kayla Nicole.
The Kansas City Chiefs tight end and Nicole had an on-and-off relationship for five years.
Fans quickly picked up that Travis no longer followed Kayla on on social media.
This happened soon after she publicly thirsted over Philadelphia Eagles QB, Jalen Hurts.
Travis’s drama seems minor compared to the rumor mill when it comes to Taylor and her ex Joe Alwyn.
“Enough is enough with these fabricated lies about Taylor from Deuxmoi,” Paine stated. “There was NEVER a marriage or ceremony of ANY kind. This is an insane thing to post. It’s time for you to be held accountable for the pain and trauma you cause with posts like these.”
Taylor and Joe announced their split in April, but now a new Instagram post from her bestie Jack Antonoff has fans questioning that timeline.
Jack, who’s been working with Taylor since her 1989 album, shared a throwback photo in honor of her song You’re Losing Me (From the Vault).
The intrigue came from the caption, noting the song’s creation on a specific date in December 2021. The date led fans to analyze the lyrics, which seem to speak of a failing long-term relationship.
Regardless of the confusing timelines, Taylor and Travis seem to be happy as they prepare to spend an extended amount of time together for the very first time.
And her fans could not be more excited for her.
“The way j*e and Taylor were together for years and he treated her horribly but yet her and Travis have been together for 4 months and he’s talked about her multiple times on the podcast and in interviews, likes posts about her and supports her at her shows oh the upgrade,” one fan wrote on X.
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